The Otolith Group work has been presented in biennials, museums, foundations, public galleries, community spaces, art schools, universities, cinemas, and informal spaces across the world. Recent solo exhibitions include Xenogenesis, Van Abbe Museum (2019), The Radiant, Art Gallery at Miyauch, Japan (2017), In the Year of the Quiet Sun at CASCO, Utrecht (2014), Novaya Zemlya at Museo Serralves, Porto (2014), In The Year of the Quiet Sun, Kunsthall Bergen, Norway (2014), Medium Earth, RedCat, LA (2013); AuViCo 2109-2110, Mumbai (2012); West failure, Project 88, Mumbai (2012); I See Infinite Distance Between Any Point and Another, Fabrica, Brighton (2012); Thought form MACBA, (2011) and MAXXI, Rome (2011).
Group exhibitions include Bauhaus Imaginista, Haus der Kultern der Welt, Berlin (2019), Kochi Biennale, Kochi, India (2018), Bauhaus Imaginista: Corresponding With, Japan, The National Museum of Modern Art Kyoto (2018.) A Lost Future, The Rubin, New York (2018); 13th Forum Expanded, Berlinale, Berlin (2018), We Have Delivered Ourselves from the Tonal. Of, with, towards, on Julius Eastman, SAVVY Contemporary (2018); Trade Markings, Frontier Imaginaries Ed. No.5, The Van Abbe Museum, Eindhoven (2018); Mondialité, Villa Empain, Brussels (2017), Tanawuj, Sharjah Biennial, UAE (2017), The Museum of Rhythm, Muzeum Sztuki, Lodz, Poland (2016), The Eighth Climate (What Does Art Do?), Gwangju Biennale, South Korea (2016), Reconstruction of Story, National Museum of Modern and Contemporary Art, Seoul, South Korea (2016), Murder Machine, Ormston House, Limerick (2016), Endless Shout, ICA Philadelphia, USA (2015), The Fr