February 30, 2015 By Lajja Shah “Amitesh Shrivastava’s large canvases at Mumbai’s Project 88 pulsate with energy. Fiery hues sweep, swirl and drip as tex-tured surfaces meld and disintegrate. Fractured landscapes, infested with strange flora and fauna, seethe and shift …
Read more..Published on 4 November, 2015 on Highsnobiety Sandeep Mukherjee — Untitled (Pinwheel) The rich greens, orbiting circles and disruptive fluid shapes in Mukherjee’s piece can only be described as visually arresting, positioned as they are against a corner that exaggerated …
Read more..Published on 29 October, 2015 on Frieze “The ship-breaking yards of South Asia – Gadani (Pakistan), Alang (India) and Baro Aulia (Bangladesh) – are not wanting for attention from artists, from either the region or the West. Photographers including Edward …
Read more..Posted on 29 October, 2015 on Vogue “The graphic novelist and artist on why after years of creating two-dimensional women characters, he is increasingly drawn to the real thing—see the first entry in his directory of cool women, ‘Women I …
Read more..Posted on 28 October, 2015 on The Daily Pao When Dead Ships Travel at Project 88 Ship-breaking yards are not tranquil, dreamy places. In Bangladeshi artist Shumon Ahmed’s photographs, however, they’re transformed. Ahmed first visited Baro Aulia, one of the …
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