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Seed, by Rohini Devasher, 2004. Charcoal, acrylic, colour
pencil, oil pastel, wood; 245 x 457 cm. “Seed” is the first of several wall drawings that explore landscape as a living entity. Through the process of the drawing, done on site over three months, the relationship between the drawing and the forms from which it is derived is gradually blurred. The curve of the wall further heightens the sense of being engulfed, of being destabilized.

MARG MAGAZINE: ROHINI DEVASHER

This article was first published in The Weight of a Petal: Ars Botanica, edited by Sita Reddy, Mumbai: Marg, Vol. 70, No. 2, December 2018–March 2019.   Rohini Devasher …for that which we imagine must be either something already seen or a …

THE HINDU: ‘DOAB DIL’ BY SARNATH BANERJEE : WHERE THE RIVERS MEET

Satwik Gade on Sarnath Banerjee in The Hindu Published on1 March 2019 Twin streams, of words and images, drawings and colouring, converge into a seamless whole The title, Doab Dil, is supposed to signify the heart of the convergence of twin …

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