…But There Are New Suns approaches the politics of time through its engagement with the poetics of temporal reconfiguration which focuses on two installations, ‘What the Owl Knows’ and ‘O Horizon’.
In drawing upon moments and moods specific to the aesthetics of Afro-Asian avant-gardes, as formulated by Joan Kee in The Geometries of Afro-Asia: Art Beyond Solidarity, The Otolith Group’s inhabitation of the structures provided by The Ignorant Art School aims at sustaining ‘interpretive communities’ enabled by the prospect of aesthetico-political work.