Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’

As his first solo show outside India takes place at David Zwirner in London, Baliga explains why pain and suffering, both his and that of others, are at the root of all his paintings
Emily Spicer, Studio International, April 22, 2022
There is a quiet strangeness to the work of Mahesh Baliga (b1982, Karnataka, India), a stillness that hints at both melancholy and hope. He observes the often overlooked corners of life, the details many of us would pass by, such as an ink stain on a friend’s shirt or the fragments of a broken toy. And yet his paintings are not ordinary. There is a touch of magic realism about them, the sense that a veil has been lifted on the quotidian to reveal the emotional reality beneath. Flowers grow from a man’s chest, a boat with a strangely striped canopy drifts on the sea, a tree sprouts leaves of all shapes and sizes. The real and the imagined mingle almost seamlessly, until the viewer is left questioning what is possible.
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