Tucked away in a corner on the top floor is Risham Syed’s jolting installation ‘Texts and Contexts: Raga Sughrai’ (2021). Before entering her space, one is greeted by the sounds of a blaring Raga Sughrai sung by the artist herself.
Much like the fast-paced world of technology and media, where one’s senses and cognition is constantly pulled in different directions, Syed’s work stimulates all senses simultaneously, despite the major part of her piece being a still image of a bygone era: a photo of a vintage ’80s domestic setting. Set before this still projection on the wall, is a laptop playing random bits of seemingly political footage on a loop.